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NeurOnToSomething

Trying a new approach. Black primer, base, wash, finer & finer dry brush, then

True metal ?

Dexter: leadbelcher > nuln > runefang steel
Media: canoptek alloy > nuln > runefang
Sinister: bronze > agrax > retributor > runefang

What do you think? One stand out? All ? None?

     
@nerdlings

For dexter, next time a drybrush of canoptek between the wash and silver, like the retributor on sinister

dark angels green contrast on the colored parts, watered down on media & sinister. Used a finger while wet to remove a dot at the 'lightest' point eg shoulder & kneepads, exhaust covers

Shaded with an extra layer where necessary, especially on sinister

Obvs details, gubbins, weathering to do

Probably recess washes to for details like hands, heavy wash on tubes to darken them etc

@neurontosomething @nerdlings The green-to-bronze one is the most striking, and interesting, for me. It's similar to a technique I've used before with acrylic inks, which can work really well on models with large amounts of texture, such as the ones you have here.

@koz @nerdlings

Thanks for the feedback. I'm leaning that way myself, though I wonder if a combination of the other two, leadbelcher > nuln > canoptek > runefang Cound be nice for variety.
Noted on the inks, using the contrast I have because I bought it by accident 😳 but inks is something to explore for the future

@neurontosomething @nerdlings Inks are a bit tricky to use, but they are amazing in that, together with medium, flow aid and retarder, you can essentially mix _any_ kind of paint. I use them for basically all my painting nowadays, with recipes that mimic base coats, shades, glazes, etc.

@koz @nerdlings
That sounds fascinating. Know of any basic 101 style guides?

@neurontosomething @nerdlings Not really. This is essentially something I've had to trial-and-error to figure out.

@koz @nerdlings
Fair enough, that's something to look forward to then

@neurontosomething @nerdlings I'm happy to share what I've learned if and when you get around to it. Inks are fantastic tools for painting minis, but there are definitely learning curves involved.

@koz @nerdlings they're really impressive, and as you say, versatile

Thanks for the offer, and have a follow.

@neurontosomething @nerdlings I like the experimentation - thanks for sharing the processes!

I've in the past used transparent inks over metallic but now that you show this I think I should have added nuln oil or nuln oil gloss as an intermediate step

@erikcats @nerdlings

Thanks! It's basically an adaption of what I use on cloth/organic surfaces, build in a lot of contrast and shadows with washes and drybrushing. Not gonna give you pristine results, but sits in that sweetspot of talent/time/fun/results for me currently